Alice In Wonderland in A#

Sammy Fain(1951)waltzMedium Waltz
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
C♯7
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
Gm7
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
C♯7
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
Gm7
Cm7
F7
A♯Maj7
D♯Maj7
D♯m7
G♯7
C♯Maj7
F♯Maj7
Gm7♭5
C7
Fm7
A♯7
D♯m7
G♯7
Cm7
F7
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
C♯7
Cm7
F7
A♯Maj7
D♯Maj7
Am7♭5
D7
Gm7
Gm7

Chord Diagrams — Alice In Wonderland in A# (Guitar)

Alice In Wonderland in A#

From the Disney film, this waltz became a jazz standard through Bill Evans' trio recordings, featuring elegant ii-V-I motion in 3/4 time.

Alice In Wonderland in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 64 bars · Form: AABA

Chords: Cm7, F7, A♯Maj7, D♯Maj7, Am7♭5, D7, Gm7, C♯7, D♯m7, G♯7, C♯Maj7, F♯Maj7, Gm7♭5, C7, Fm7, A♯7.