Alice In Wonderland in E

Sammy Fain(1951)waltzMedium Waltz
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
G7
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
C♯m7
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
G7
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
C♯m7
F♯m7
B7
EMaj7
AMaj7
Am7
D7
GMaj7
CMaj7
C♯m7♭5
F♯7
Bm7
E7
Am7
D7
F♯m7
B7
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
G7
F♯m7
B7
EMaj7
AMaj7
D♯m7♭5
G♯7
C♯m7
C♯m7

Chord Diagrams — Alice In Wonderland in E (Guitar)

Alice In Wonderland in E

From the Disney film, this waltz became a jazz standard through Bill Evans' trio recordings, featuring elegant ii-V-I motion in 3/4 time.

Alice In Wonderland in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to A (ascending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 64 bars · Form: AABA

Chords: F♯m7, B7, EMaj7, AMaj7, D♯m7♭5, G♯7, C♯m7, G7, Am7, D7, GMaj7, CMaj7, C♯m7♭5, F♯7, Bm7, E7.