Alice In Wonderland in G#

Sammy Fain(1951)waltzMedium Waltz
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
B7
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
Fm7
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
B7
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
Fm7
A♯m7
D♯7
G♯Maj7
C♯Maj7
C♯m7
F♯7
BMaj7
EMaj7
Fm7♭5
A♯7
D♯m7
G♯7
C♯m7
F♯7
A♯m7
D♯7
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
B7
A♯m7
D♯7
G♯Maj7
C♯Maj7
Gm7♭5
C7
Fm7
Fm7

Chord Diagrams — Alice In Wonderland in G# (Guitar)

Alice In Wonderland in G#

From the Disney film, this waltz became a jazz standard through Bill Evans' trio recordings, featuring elegant ii-V-I motion in 3/4 time.

Alice In Wonderland in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to A# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 64 bars · Form: AABA

Chords: A♯m7, D♯7, G♯Maj7, C♯Maj7, Gm7♭5, C7, Fm7, B7, C♯m7, F♯7, BMaj7, EMaj7, Fm7♭5, A♯7, D♯m7, G♯7.