Along Came Betty in E

Benny Golson(1958)swingMedium Swing

Along Came Betty in E

Benny Golson's hip hard bop composition with major-third key shifts in the A section, a Jazz Messengers classic.

Along Came Betty in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: EMaj7, Dm7, G7, CMaj7, A♯m7, D♯7, G♯Maj7, G♯m7, C♯7, F♯m7, B7, Bm7, E7, AMaj7, Am7, D7.