ANGELICA PURPLE GAZELLE in A#

Duke Elington(1965)swing
Do Re MiC D E
A
B
C/F
B/F
A♯/F
C♭/F
C/F
C♯/F
A♯7♭9♯11
C/F
B/F
A♯/F
C♭/F
C/F
C♯/F

Chord Diagrams — ANGELICA PURPLE GAZELLE in A# (Guitar)

Display
FingerNoteDegree
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
C/F
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
A♯/F
8frEADGBE11x243
EADGBE11x2343frEADGBE11143x6frEADGBE111342
B/F
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A♯m6
EADGBEx13x24
3frEADGBEx2314x5frEADGBE2222x16frEADGBE111234
A♯7♭9♯11
A♯ - D - F - G♯ - B - E

ANGELICA PURPLE GAZELLE in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to C (ascending major third), C to C (ascending unison), C to B (descending half step), B to A# (descending half step), A# to Cb (ascending whole step), Cb to C# (ascending half step), C# to E (ascending minor third), E to D# (descending half step), D# to A# (descending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: A♯, F7, G7, G♯7, Cm, C/F, B/F, A♯/F, C♭/F, C♯/F, E, D♯m6, A♯m6, A♯7♭9♯11.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#