Anthropology in A

Charlie Parker, Dizzy Gillespie(1946)swingUp Tempo Swing
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A
F♯m7
Bm7
E7
A7
D7
C♯m7
F♯7
Bm7
E7
A
F♯m7
Bm7
E7
A
F♯m7
Bm7
E7
A7
D7
C♯m7
F♯7
Bm7
E7
A
F♯m7
Bm7
E7
C♯7
C♯7
F♯7
F♯7
B7
B7
E7
E7
A
F♯m7
Bm7
E7
A7
D7
C♯m7
F♯7
Bm7
E7
A
F♯m7
Bm7
E7

Chord Diagrams — Anthropology in A (Guitar)

Anthropology in A

The definitive bebop rhythm changes contrafact by Parker and Gillespie, a rite of passage for any jazz musician learning to navigate I-VI-II-V progressions at tempo.

Anthropology in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A, F♯m7, Bm7, E7, A7, D7, C♯m7, F♯7, C♯7, B7.