Anthropology in E

Charlie Parker, Dizzy Gillespie(1946)swingUp Tempo Swing
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
E
C♯m7
F♯m7
B7
E7
A7
G♯m7
C♯7
F♯m7
B7
E
C♯m7
F♯m7
B7
E
C♯m7
F♯m7
B7
E7
A7
G♯m7
C♯7
F♯m7
B7
E
C♯m7
F♯m7
B7
G♯7
G♯7
C♯7
C♯7
F♯7
F♯7
B7
B7
E
C♯m7
F♯m7
B7
E7
A7
G♯m7
C♯7
F♯m7
B7
E
C♯m7
F♯m7
B7

Chord Diagrams — Anthropology in E (Guitar)

Anthropology in E

The definitive bebop rhythm changes contrafact by Parker and Gillespie, a rite of passage for any jazz musician learning to navigate I-VI-II-V progressions at tempo.

Anthropology in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: E, C♯m7, F♯m7, B7, E7, A7, G♯m7, C♯7, G♯7, F♯7.