Bewitched, Bothered And Bewildered in G

Bewitched, Bothered And Bewildered in G

A Rodgers and Hart standard from the musical Pal Joey, a cornerstone ballad with clear diatonic harmony ideal for learning AABA form and ii-V movement.

Bewitched, Bothered And Bewildered in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G# (ascending half step), G# to A (ascending half step), A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.