Body And Soul in G#

Johnny Green(1930)balladBallad
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
C♯m6
Cm7
Bdim7
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
Am7
D7
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
C♯m6
Cm7
Bdim7
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
Am7
D7
GMaj7
Am7
Bm7
Am7
D7
GMaj7
A♯m7
D♯7
G♯Maj7
Gm7
C7
Fm7
A♯7
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
C♯m6
Cm7
Bdim7
A♯m7
Fm7
A♯m7
D♯7
G♯Maj7
Am7
D7

Chord Diagrams — Body And Soul in G# (Guitar)

Body And Soul in G#

Body And Soul in G# with chords A#m7 – Fm7 – D#7 – G#Maj7 – C#m6 – Cm7 – Bdim7 – Am7 – D7 – GMaj7 – Bm7 – Gm7 – C7 – A#7. One of the greatest jazz ballads ever written, featuring rich chromatic harmony that modulates between distant key centers. Practice improvisation and voicings in G#.

Body And Soul in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to G (descending major third), G to C (ascending perfect fourth), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: A♯m7, Fm7, D♯7, G♯Maj7, C♯m6, Cm7, Bdim7, Am7, D7, GMaj7, Bm7, Gm7, C7, A♯7.