Dancing on the Ceiling in Si

Richard Rodgers()swingSwing

Dancing on the Ceiling in Si

Dancing on the Ceiling in Si

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to F (ascending half step), F to D# (descending whole step), D# to D (descending half step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: SiMaj7, Si7♯5, MiMaj7, Fadim, Re♯m7, Redim, Do♯m7, Fa♯7, Si, Re♯m7♭5, Sol♯7.

Scales for Improvisation Si bebop, Si bebop major.