Dindi in G#

Antonio Carlos Jobim(1959)bossaSlow Bossa
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
G♯Maj7
Bdim7
A♯m7
A♯m7
E7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
Bdim7
A♯m7
A♯m7
E7
G♯Maj7
G♯Maj7
G♯m7
C♯7
F♯Maj7
F♯Maj7
F♯m7
B7
A♯m7
D♯7
G♯Maj7
G♯Maj7
Bdim7
A♯m7
A♯m7
E7
G♯Maj7
G♯Maj7

Chord Diagrams — Dindi in G# (Guitar)

Dindi in G#

A tender Jobim ballad with a gently flowing melody, the name referring to a term of endearment in Portuguese.

Dindi in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to B (ascending minor third), B to A# (descending half step), A# to E (ascending tritone), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, Bdim7, A♯m7, E7, G♯m7, C♯7, F♯Maj7, F♯m7, B7, D♯7.