Dolphin Dance in A

Herbie Hancock(1965)swingMedium
A
Instrument
GuitarUkuleleBassPiano
A
B
C
D
AMaj7
AMaj7
GMaj7♯11
GMaj7♯11
G♯m7
C♯7
F♯Maj7
F♯Maj7
G♯m7♭5
C♯7♭9
F♯m7
F♯m7
Dm7
G7
CMaj7
CMaj7
D♯m7
G♯7
C♯Maj7
C♯Maj7
Em7
A7
DMaj7
DMaj7
D♯m7♭5
G♯7♭9
C♯m7
C♯m7
F♯m7
B7
EMaj7
E7

Chord Diagrams — Dolphin Dance in A (Guitar)

Dolphin Dance in A

Herbie Hancock's flowing composition with ever-shifting key centers, creating the illusion of a dolphin leaping between tonal areas.

Dolphin Dance in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABCD

Chords: AMaj7, GMaj7♯11, G♯m7, C♯7, F♯Maj7, G♯m7♭5, C♯7♭9, F♯m7, Dm7, G7, CMaj7, D♯m7, G♯7, C♯Maj7, Em7, A7, DMaj7, D♯m7♭5, G♯7♭9, C♯m7, B7, EMaj7, E7.