Dolphin Dance in A#

Herbie Hancock(1965)swingMedium
A♯
Instrument
GuitarUkuleleBassPiano
A
B
C
D
A♯Maj7
A♯Maj7
G♯Maj7♯11
G♯Maj7♯11
Am7
D7
GMaj7
GMaj7
Am7♭5
D7♭9
Gm7
Gm7
D♯m7
G♯7
C♯Maj7
C♯Maj7
Em7
A7
DMaj7
DMaj7
Fm7
A♯7
D♯Maj7
D♯Maj7
Em7♭5
A7♭9
Dm7
Dm7
Gm7
C7
FMaj7
F7

Chord Diagrams — Dolphin Dance in A# (Guitar)

Dolphin Dance in A#

Herbie Hancock's flowing composition with ever-shifting key centers, creating the illusion of a dolphin leaping between tonal areas.

Dolphin Dance in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to A (ascending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A (ascending whole step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABCD

Chords: A♯Maj7, G♯Maj7♯11, Am7, D7, GMaj7, Am7♭5, D7♭9, Gm7, D♯m7, G♯7, C♯Maj7, Em7, A7, DMaj7, Fm7, A♯7, D♯Maj7, Em7♭5, A7♭9, Dm7, C7, FMaj7, F7.