Dolphin Dance in B

Herbie Hancock(1965)swingMedium
B
Instrument
GuitarUkuleleBassPiano
A
B
C
D
BMaj7
BMaj7
AMaj7♯11
AMaj7♯11
A♯m7
D♯7
G♯Maj7
G♯Maj7
A♯m7♭5
D♯7♭9
G♯m7
G♯m7
Em7
A7
DMaj7
DMaj7
Fm7
A♯7
D♯Maj7
D♯Maj7
F♯m7
B7
EMaj7
EMaj7
Fm7♭5
A♯7♭9
D♯m7
D♯m7
G♯m7
C♯7
F♯Maj7
F♯7

Chord Diagrams — Dolphin Dance in B (Guitar)

Dolphin Dance in B

Herbie Hancock's flowing composition with ever-shifting key centers, creating the illusion of a dolphin leaping between tonal areas.

Dolphin Dance in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABCD

Chords: BMaj7, AMaj7♯11, A♯m7, D♯7, G♯Maj7, A♯m7♭5, D♯7♭9, G♯m7, Em7, A7, DMaj7, Fm7, A♯7, D♯Maj7, F♯m7, B7, EMaj7, Fm7♭5, A♯7♭9, D♯m7, C♯7, F♯Maj7, F♯7.