Dolphin Dance in C

Herbie Hancock(1965)swingMedium
C
Instrument
GuitarUkuleleBassPiano
A
B
C
D
CMaj7
CMaj7
A♯Maj7♯11
A♯Maj7♯11
Bm7
E7
AMaj7
AMaj7
Bm7♭5
E7♭9
Am7
Am7
Fm7
A♯7
D♯Maj7
D♯Maj7
F♯m7
B7
EMaj7
EMaj7
Gm7
C7
FMaj7
FMaj7
F♯m7♭5
B7♭9
Em7
Em7
Am7
D7
GMaj7
G7

Chord Diagrams — Dolphin Dance in C (Guitar)

Dolphin Dance in C

Herbie Hancock's flowing composition with ever-shifting key centers, creating the illusion of a dolphin leaping between tonal areas.

Dolphin Dance in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to B (ascending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABCD

Chords: CMaj7, A♯Maj7♯11, Bm7, E7, AMaj7, Bm7♭5, E7♭9, Am7, Fm7, A♯7, D♯Maj7, F♯m7, B7, EMaj7, Gm7, C7, FMaj7, F♯m7♭5, B7♭9, Em7, D7, GMaj7, G7.