Dolphin Dance in G#

Herbie Hancock(1965)swingMedium
G♯
Instrument
GuitarUkuleleBassPiano
A
B
C
D
G♯Maj7
G♯Maj7
F♯Maj7♯11
F♯Maj7♯11
Gm7
C7
FMaj7
FMaj7
Gm7♭5
C7♭9
Fm7
Fm7
C♯m7
F♯7
BMaj7
BMaj7
Dm7
G7
CMaj7
CMaj7
D♯m7
G♯7
C♯Maj7
C♯Maj7
Dm7♭5
G7♭9
Cm7
Cm7
Fm7
A♯7
D♯Maj7
D♯7

Chord Diagrams — Dolphin Dance in G# (Guitar)

Dolphin Dance in G#

Herbie Hancock's flowing composition with ever-shifting key centers, creating the illusion of a dolphin leaping between tonal areas.

Dolphin Dance in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: ABCD

Chords: G♯Maj7, F♯Maj7♯11, Gm7, C7, FMaj7, Gm7♭5, C7♭9, Fm7, C♯m7, F♯7, BMaj7, Dm7, G7, CMaj7, D♯m7, G♯7, C♯Maj7, Dm7♭5, G7♭9, Cm7, A♯7, D♯Maj7, D♯7.