Embraceable You in E

George Gershwin(1930)balladBallad
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
EMaj7
A♯m7♭5
D♯7♭9
G♯m7
Gdim7
F♯m7
B7
EMaj7
Fdim7
F♯m7
B7
EMaj7
A♯m7♭5
D♯7♭9
G♯m7
Gdim7
F♯m7
B7
EMaj7
Fdim7
F♯m7
B7
Am7
D7
EMaj7
EMaj7
F♯m7♭5
B7
F♯m7
B7
EMaj7
A♯m7♭5
D♯7♭9
G♯m7
Gdim7
F♯m7
B7
EMaj7
Fdim7
F♯m7
B7

Chord Diagrams — Embraceable You in E (Guitar)

Embraceable You in E

Gershwin's romantic masterpiece, famously deconstructed by Charlie Parker in his iconic solo, a cornerstone of the jazz ballad repertoire.

Embraceable You in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A (ascending major third), A to D (ascending perfect fourth), D to F# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: EMaj7, A♯m7♭5, D♯7♭9, G♯m7, Gdim7, F♯m7, B7, Fdim7, Am7, D7, F♯m7♭5.