Epistrophy in A#

Thelonious Monk, Kenny Clarke(1941)swingMedium Swing
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7
A♯7
B7
A♯7
B7
C7
C♯7
C7
C♯7

Chord Diagrams — Epistrophy in A# (Guitar)

Epistrophy in A#

Monk's signature tune and closing number, built on alternating half-step dominant chords creating a distinctive, angular sound.

Epistrophy in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to B (ascending half step), B to C (ascending half step), C to C# (ascending half step), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯7, B7, C7, C♯7, A♯Maj7.