Epistrophy in G#

Thelonious Monk, Kenny Clarke(1941)swingMedium Swing
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7
G♯7
A7
G♯7
A7
A♯7
B7
A♯7
B7

Chord Diagrams — Epistrophy in G# (Guitar)

Epistrophy in G#

Monk's signature tune and closing number, built on alternating half-step dominant chords creating a distinctive, angular sound.

Epistrophy in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A (ascending half step), A to A# (ascending half step), A# to B (ascending half step), B to G# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: G♯7, A7, A♯7, B7, G♯Maj7.