Evidence in A#

Thelonious Monk(1948)swingMedium
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
D♯7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
D♯7
A♯Maj7
Gm7
Cm7
F7
G♯7
G♯7
C♯7
C♯7
Cm7
Cm7
Cm7
F7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
Cm7
F7
A♯Maj7
Gm7
D♯7
A♯Maj7
Gm7
Cm7
F7

Chord Diagrams — Evidence in A# (Guitar)

Evidence in A#

Monk's reharmonization of 'Just You, Just Me' with displaced rhythmic accents that give the tune its quirky, detective-like character.

Evidence in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯Maj7, Gm7, Cm7, F7, D♯7, G♯7, C♯7.