How to practice Feeling Good with play-along tracks?

Use the play-along backing track above to practice Feeling Good in the key of C. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over Feeling Good?

For soloing over Feeling Good, recommended scales include: bebop minor, bebop. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed Feeling Good?

Feeling Good was composed by Anthony Newley / Leslie Bricusse in 1964. It is a swing standard in 4/4 time.

What key is Feeling Good in?

The original key of Feeling Good is C. The form is AB with 34 bars.

What scales work for improvising over Feeling Good?

Recommended scales for Feeling Good in C: bebop minor, bebop. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Feeling Good in C

Anthony Newley / Leslie Bricusse(1964)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — Feeling Good in C (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

Cm/D♯

D♯/A♯

F9sus4

F - B♭ - C - E♭ - G

G♯6

G♯Maj7♯11

Feeling Good in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to G (descending perfect fourth), G to G# (ascending half step), G# to C (ascending major third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to D# (ascending minor third), D# to F (ascending whole step), F to F (ascending unison), F to D# (descending whole step), D# to C (descending minor third), C to G (descending perfect fourth), G to G# (ascending half step), G# to G (descending half step), G to D# (descending major third), D# to D# (ascending unison), D# to F (ascending whole step), F to G# (ascending minor third), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: AB

Chords: F9, Cm7, G, G♯, Cm, F, Cm/D♯, D♯Maj7, Fm7, F7, D♯7, CmMaj7, G7, G♯Maj7, Gm, D♯, D♯/A♯, F9sus4, G♯6, G♯Maj7♯11.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C