Georgia On My Mind in A

Hoagy Carmichael(1930)balladSlow Swing
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
AMaj7
C♯7
F♯m7
F♯m7/C
D♯m7♭5
D7
AMaj7
C♯7
F♯m7
B7
Em7
A7
DMaj7
E7
AMaj7
C♯7
F♯m7
F♯m7/C
D♯m7♭5
D7
AMaj7
C♯7
F♯m7
B7
Em7
A7
DMaj7
E7
F♯m7
Bm7
E7
F♯m7
Bm7
E7
F♯m7
G♯7
C♯m7
F♯7
Bm7
E7
AMaj7
C♯7
F♯m7
F♯m7/C
D♯m7♭5
D7
AMaj7
C♯7
F♯m7
B7
Em7
A7
DMaj7
E7

Chord Diagrams — Georgia On My Mind in A (Guitar)

Georgia On My Mind in A

Hoagy Carmichael's timeless ode to the state of Georgia, immortalized by Ray Charles, with a soulful melody over rich diatonic harmony.

Georgia On My Mind in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to D (descending half step), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to B (descending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: AMaj7, C♯7, F♯m7, F♯m7/C, D♯m7♭5, D7, B7, Em7, A7, DMaj7, E7, Bm7, G♯7, C♯m7, F♯7.