Georgia On My Mind in G#

Hoagy Carmichael(1930)balladSlow Swing
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
C7
Fm7
Fm7/C
Dm7♭5
C♯7
G♯Maj7
C7
Fm7
A♯7
D♯m7
G♯7
C♯Maj7
D♯7
G♯Maj7
C7
Fm7
Fm7/C
Dm7♭5
C♯7
G♯Maj7
C7
Fm7
A♯7
D♯m7
G♯7
C♯Maj7
D♯7
Fm7
A♯m7
D♯7
Fm7
A♯m7
D♯7
Fm7
G7
Cm7
F7
A♯m7
D♯7
G♯Maj7
C7
Fm7
Fm7/C
Dm7♭5
C♯7
G♯Maj7
C7
Fm7
A♯7
D♯m7
G♯7
C♯Maj7
D♯7

Chord Diagrams — Georgia On My Mind in G# (Guitar)

Georgia On My Mind in G#

Hoagy Carmichael's timeless ode to the state of Georgia, immortalized by Ray Charles, with a soulful melody over rich diatonic harmony.

Georgia On My Mind in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C (ascending major third), C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to C# (descending half step), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, C7, Fm7, Fm7/C, Dm7♭5, C♯7, A♯7, D♯m7, G♯7, C♯Maj7, D♯7, A♯m7, G7, Cm7, F7.