The Girl From Ipanema in E

Antonio Carlos Jobim(1962)bossaMedium Bossa
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
EMaj7
EMaj7
F♯7
F♯7
F♯m7
F7
EMaj7
F7
EMaj7
EMaj7
F♯7
F♯7
F♯m7
F7
EMaj7
F7
FMaj7
FMaj7
A♯7
A♯7
Fm7
C♯7
F♯m7
B7
EMaj7
EMaj7
F♯7
F♯7
F♯m7
F7
EMaj7
F7

Chord Diagrams — The Girl From Ipanema in E (Guitar)

The Girl From Ipanema in E

The Girl From Ipanema in E with chords EMaj7 – F#7 – F#m7 – F7 – FMaj7 – A#7 – Fm7 – C#7 – B7. Tom Jobim's most famous bossa nova composition features deceptively simple melody over sophisticated chromatic harmony. Practice bossa nova rhythm and voicings in E.

The Girl From Ipanema in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to F# (ascending unison), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to C# (descending major third), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 32 bars · Form: AABA

Chords: EMaj7, F♯7, F♯m7, F7, FMaj7, A♯7, Fm7, C♯7, B7.