How Insensitive in G

Antonio Carlos Jobim(1963)bossaBossa Nova
G
Instrument
GuitarUkuleleBassPiano
A
B
A♯m
A♯m
Adim7
Adim7
G♯Maj7
G♯Maj7
G♯m6
G♯m6
D♯7/B
D♯7/B
F♯6
F♯6
Cm7♭5
F7♭9
A♯m
A♯m7/C
Gm7♭5
F♯7
Cm7♭5
F7♭9
A♯m
A♯m

Chord Diagrams — How Insensitive in G (Guitar)

How Insensitive in G

Jobim's haunting bossa nova featuring a chromatically descending bass line over sustained minor tonality, one of the quintessential Brazilian jazz ballads.

How Insensitive in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to A (descending half step), A to G# (descending half step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 22 bars · Form: AB

Chords: A♯m, Adim7, G♯Maj7, G♯m6, D♯7/B, F♯6, Cm7♭5, F7♭9, A♯m7/C, Gm7♭5, F♯7.