I Can't Get Started in A

Vernon Duke(1936)balladBallad
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
AMaj7
F♯m7
Bm7
E7
C♯m7
F♯7
Bm7
E7
AMaj7
F♯m7
Bm7
E7
AMaj7
Cdim7
Bm7
E7
AMaj7
F♯m7
Bm7
E7
C♯m7
F♯7
Bm7
E7
AMaj7
F♯m7
Bm7
E7
AMaj7
Cdim7
Bm7
E7
C♯m7
F♯7
Bm7
Bm7
Dm6
E7
Bm7
E7
AMaj7
F♯m7
Bm7
E7
C♯m7
F♯7
Bm7
E7
AMaj7
F♯m7
Bm7
E7
AMaj7
Cdim7
Bm7
E7

Chord Diagrams — I Can't Get Started in A (Guitar)

I Can't Get Started in A

A Great American Songbook standard made iconic by Bunny Berigan's trumpet performance, with sophisticated AABA harmony.

I Can't Get Started in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to D (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: AMaj7, F♯m7, Bm7, E7, C♯m7, F♯7, Cdim7, Dm6.