I Can't Get Started in B

Vernon Duke(1936)balladBallad
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
BMaj7
G♯m7
C♯m7
F♯7
D♯m7
G♯7
C♯m7
F♯7
BMaj7
G♯m7
C♯m7
F♯7
BMaj7
Ddim7
C♯m7
F♯7
BMaj7
G♯m7
C♯m7
F♯7
D♯m7
G♯7
C♯m7
F♯7
BMaj7
G♯m7
C♯m7
F♯7
BMaj7
Ddim7
C♯m7
F♯7
D♯m7
G♯7
C♯m7
C♯m7
Em6
F♯7
C♯m7
F♯7
BMaj7
G♯m7
C♯m7
F♯7
D♯m7
G♯7
C♯m7
F♯7
BMaj7
G♯m7
C♯m7
F♯7
BMaj7
Ddim7
C♯m7
F♯7

Chord Diagrams — I Can't Get Started in B (Guitar)

I Can't Get Started in B

A Great American Songbook standard made iconic by Bunny Berigan's trumpet performance, with sophisticated AABA harmony.

I Can't Get Started in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to E (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: BMaj7, G♯m7, C♯m7, F♯7, D♯m7, G♯7, Ddim7, Em6.