I Could Write a Book in C

Lorenz Hart / Richard Rodgers(1940)swing
Do Re MiC D E
A
G13
Dm11
G7/F
Dm11
G13
Dm11
G7/F
A♯13
Eaug7
C/G
Dm7/F
C69

Chord Diagrams — I Could Write a Book in C (Guitar)

Display
FingerNoteDegree
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G7/F
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
D♯dim7
EADGBExx1324
5frEADGBE11x2347frEADGBExx132410frEADGBE112x3x
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A♯dim7
EADGBEx123
EADGBExx13246frEADGBE1112348frEADGBExx1324
G/B
7frEADGBE111432
EADGBE2133frEADGBE1113425frEADGBE11x243
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
Eaug7
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
C/G
3frEADGBE111234
EADGBEx3215frEADGBE111xx48frEADGBE111342
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
Dm7/F
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1

I Could Write a Book in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C (ascending minor third), C to G (descending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D# (descending major third), D# to C (descending minor third), C to B (descending half step), B to F# (descending perfect fourth), F# to E (descending whole step), E to A# (ascending tritone), A# to G (descending minor third), G to D (descending perfect fourth), D to C (descending whole step), C to G (descending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to E (descending half step), E to C (descending major third), C to G (descending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: Am7, CMaj7, G13, Dm7, G7, Dm11, G7/F, D♯dim7, C/E, B7♭9, F♯m7♭5, Em7, A♯dim7, G/B, D7, C7♭9, Gm7, A♯13, FMaj7, Eaug7, C/G, G7♭9, Dm7/F, C69.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C