I'll Be Seeing You in Sol#

Irving Kahal, Sammy Fain()swingModerately
A
B
A
'
C

Chord Diagrams — I'll Be Seeing You in Sol# (Guitar)

I'll Be Seeing You in Sol#

I'll Be Seeing You in Sol#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C (ascending major third), C to A# (descending whole step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to B (ascending half step), B to F (ascending tritone), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G (ascending major third), G to A# (ascending minor third), A# to C# (ascending minor third), C# to A (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 33 bars · Form: ABA'C

Chords: Sol♯, Do7, La♯m, Fa7, Re♯7, La♯m7, Sidim7, Fam7, Re♯7♯5, Sol♯6, Re♯9♯5, Solm7♭5, La♯9, Do♯m6, Lam7.

Scales for Improvisation Sol# bebop, Sol# bebop major.