In A Sentimental Mood in G#

Duke Ellington(1935)balladBallad
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Fm
FmMaj7
Fm7
Fm6
A♯m
A♯mMaj7
A♯m7
C7
Fm
F7
A♯m7
A7
G♯Maj7
Fm
FmMaj7
Fm7
Fm6
A♯m
A♯mMaj7
A♯m7
C7
Fm
F7
A♯m7
A7
G♯Maj7
EMaj7
C♯m7
F♯m7
B7
EMaj7
C♯7
F♯7
B7
EMaj7
C♯m7
F♯m7
B7
A♯m7
D♯7♭9
G♯Maj7
Fm
FmMaj7
Fm7
Fm6
A♯m
A♯mMaj7
A♯m7
C7
Fm
F7
A♯m7
A7
G♯Maj7

Chord Diagrams — In A Sentimental Mood in G# (Guitar)

In A Sentimental Mood in G#

One of Ellington's most beloved ballads, featuring a descending chromatic line in the A section and a lush bridge that modulates to Db major.

In A Sentimental Mood in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to F (ascending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to E (descending major third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to D# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: Fm, FmMaj7, Fm7, Fm6, A♯m, A♯mMaj7, A♯m7, C7, F7, A7, G♯Maj7, EMaj7, C♯m7, F♯m7, B7, C♯7, F♯7, D♯7♭9.