It Don't Mean A Thing in E

It Don't Mean A Thing in E

Ellington's iconic swing anthem with its driving minor groove and catchy doo-wah riff, one of the earliest and most enduring swing-era standards.

It Don't Mean A Thing in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to G# (descending major third), G# to G (descending half step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D (descending half step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.