It Might As Well Be Spring in La#

Richard Rodgers()swingModerately
A
A
B
A

Chord Diagrams — It Might As Well Be Spring in La# (Guitar)

It Might As Well Be Spring in La#

It Might As Well Be Spring in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to A (ascending perfect fourth), A to A# (ascending half step), A# to G (descending minor third), G to F (descending whole step), F to F (ascending unison), F to D (descending minor third), D to C (descending whole step), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to G# (descending major third), G# to D# (descending perfect fourth), D# to C (descending minor third), C to A (descending minor third), A to C (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 56 bars · Form: AABA

Chords: La♯6, Re♯9, Rem7, Sol7, Dom7, Fa7, La♯, Fam7, La♯7, Re♯, Mim7, La7, La♯69/b, Solm7, Fa9, Fa7/c, Re7, Do7, Re♯m7, Sol♯7, Solm7/d, Do7/cis, Sol♯9, Re♯6, Dom7/g, La7♭5, Dom7/d.

Scales for Improvisation La# bebop, La# bebop major.