Lazy Bird in A

John Coltrane(1957)swingMedium Up
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯m7
D♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯Maj7
Bm7
E7
AMaj7
Bm7
E7
A♯m7
D♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯Maj7
Bm7
E7
AMaj7
Bm7
E7
A♯m7
D♯7
G♯Maj7
Cm7
F7
A♯Maj7
D♯m7
G♯7
C♯Maj7
Bm7
E7
A♯m7
D♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯Maj7
Bm7
E7
AMaj7
Bm7
E7

Chord Diagrams — Lazy Bird in A (Guitar)

Lazy Bird in A

Coltrane's contrafact on 'Lady Bird' with added ii-V insertions, showcasing his developing approach to harmonic substitution.

Lazy Bird in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to C (ascending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A# by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯m7, D♯7, Am7, D7, GMaj7, G♯m7, C♯7, F♯Maj7, Bm7, E7, AMaj7, G♯Maj7, Cm7, F7, A♯Maj7, D♯m7, G♯7, C♯Maj7.