Lazy Bird in D

John Coltrane(1957)swingMedium Up
D
Instrument
GuitarUkuleleBassPiano
A
A
B
A
D♯m7
G♯7
Dm7
G7
CMaj7
C♯m7
F♯7
BMaj7
Em7
A7
DMaj7
Em7
A7
D♯m7
G♯7
Dm7
G7
CMaj7
C♯m7
F♯7
BMaj7
Em7
A7
DMaj7
Em7
A7
D♯m7
G♯7
C♯Maj7
Fm7
A♯7
D♯Maj7
G♯m7
C♯7
F♯Maj7
Em7
A7
D♯m7
G♯7
Dm7
G7
CMaj7
C♯m7
F♯7
BMaj7
Em7
A7
DMaj7
Em7
A7

Chord Diagrams — Lazy Bird in D (Guitar)

Lazy Bird in D

Coltrane's contrafact on 'Lady Bird' with added ii-V insertions, showcasing his developing approach to harmonic substitution.

Lazy Bird in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to D# by minor third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: D♯m7, G♯7, Dm7, G7, CMaj7, C♯m7, F♯7, BMaj7, Em7, A7, DMaj7, C♯Maj7, Fm7, A♯7, D♯Maj7, G♯m7, C♯7, F♯Maj7.