Lazy Bird in E

John Coltrane(1957)swingMedium Up
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Fm7
A♯7
Em7
A7
DMaj7
D♯m7
G♯7
C♯Maj7
F♯m7
B7
EMaj7
F♯m7
B7
Fm7
A♯7
Em7
A7
DMaj7
D♯m7
G♯7
C♯Maj7
F♯m7
B7
EMaj7
F♯m7
B7
Fm7
A♯7
D♯Maj7
Gm7
C7
FMaj7
A♯m7
D♯7
G♯Maj7
F♯m7
B7
Fm7
A♯7
Em7
A7
DMaj7
D♯m7
G♯7
C♯Maj7
F♯m7
B7
EMaj7
F♯m7
B7

Chord Diagrams — Lazy Bird in E (Guitar)

Lazy Bird in E

Coltrane's contrafact on 'Lady Bird' with added ii-V insertions, showcasing his developing approach to harmonic substitution.

Lazy Bird in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G (ascending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Fm7, A♯7, Em7, A7, DMaj7, D♯m7, G♯7, C♯Maj7, F♯m7, B7, EMaj7, D♯Maj7, Gm7, C7, FMaj7, A♯m7, D♯7, G♯Maj7.