Meditation (Meditacao) in G#

Antonio Carlos Jobim(1963)bossaMedium Bossa
Do Re MiC D E
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
G♯Maj7
G7
G7
Cm7
F7
A♯m7
D♯7
G♯Maj7
G♯Maj7
G7
G7
Cm7
F7
A♯m7
D♯7
C♯m7
F♯7
BMaj7
BMaj7
Cm7♭5
F7♭9
A♯m7
D♯7
G♯Maj7
G♯Maj7
G7
G7
Cm7
F7
A♯m7
D♯7

Chord Diagrams — Meditation (Meditacao) in G# (Guitar)

Meditation (Meditacao) in G#

Jobim's bossa nova meditation with a lyrical melody that weaves through diatonic and chromatic harmony.

Meditation (Meditacao) in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C (ascending half step), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, G7, Cm7, F7, A♯m7, D♯7, C♯m7, F♯7, BMaj7, Cm7♭5, F7♭9.