Moment's Notice in A

John Coltrane(1957)swingUp Tempo
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯m7
D♯7
Bm7
E7
AMaj7
Dm7
G7
G♯m7
C♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯m7
Em7
A7
DMaj7
G7
A♯m7
D♯7
Bm7
E7
AMaj7
Dm7
G7
G♯m7
C♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯m7
Em7
A7
DMaj7
G7
C♯m7
F♯7
Dm7
G7
CMaj7
Bm7
E7
AMaj7
Bm7
E7
AMaj7
Bm7
E7
A♯m7
D♯7
Bm7
E7
AMaj7
Dm7
G7
G♯m7
C♯7
Am7
D7
GMaj7
G♯m7
C♯7
F♯m7
Em7
A7
DMaj7
G7

Chord Diagrams — Moment's Notice in A (Guitar)

Moment's Notice in A

Coltrane's harmonically demanding composition from Blue Train, featuring rapid ii-V progressions in multiple keys that test every improviser's facility.

Moment's Notice in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to B (descending major third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to A (descending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to C (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 44 bars · Form: AABA

Chords: A♯m7, D♯7, Bm7, E7, AMaj7, Dm7, G7, G♯m7, C♯7, Am7, D7, GMaj7, F♯m7, Em7, A7, DMaj7, C♯m7, F♯7, CMaj7.