Moment's Notice in B

John Coltrane(1957)swingUp Tempo
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Cm7
F7
C♯m7
F♯7
BMaj7
Em7
A7
A♯m7
D♯7
Bm7
E7
AMaj7
A♯m7
D♯7
G♯m7
F♯m7
B7
EMaj7
A7
Cm7
F7
C♯m7
F♯7
BMaj7
Em7
A7
A♯m7
D♯7
Bm7
E7
AMaj7
A♯m7
D♯7
G♯m7
F♯m7
B7
EMaj7
A7
D♯m7
G♯7
Em7
A7
DMaj7
C♯m7
F♯7
BMaj7
C♯m7
F♯7
BMaj7
C♯m7
F♯7
Cm7
F7
C♯m7
F♯7
BMaj7
Em7
A7
A♯m7
D♯7
Bm7
E7
AMaj7
A♯m7
D♯7
G♯m7
F♯m7
B7
EMaj7
A7

Chord Diagrams — Moment's Notice in B (Guitar)

Moment's Notice in B

Coltrane's harmonically demanding composition from Blue Train, featuring rapid ii-V progressions in multiple keys that test every improviser's facility.

Moment's Notice in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to B (descending major third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to D (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 44 bars · Form: AABA

Chords: Cm7, F7, C♯m7, F♯7, BMaj7, Em7, A7, A♯m7, D♯7, Bm7, E7, AMaj7, G♯m7, F♯m7, B7, EMaj7, D♯m7, G♯7, DMaj7.