Moment's Notice in G#

John Coltrane(1957)swingUp Tempo
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Am7
D7
A♯m7
D♯7
G♯Maj7
C♯m7
F♯7
Gm7
C7
G♯m7
C♯7
F♯Maj7
Gm7
C7
Fm7
D♯m7
G♯7
C♯Maj7
F♯7
Am7
D7
A♯m7
D♯7
G♯Maj7
C♯m7
F♯7
Gm7
C7
G♯m7
C♯7
F♯Maj7
Gm7
C7
Fm7
D♯m7
G♯7
C♯Maj7
F♯7
Cm7
F7
C♯m7
F♯7
BMaj7
A♯m7
D♯7
G♯Maj7
A♯m7
D♯7
G♯Maj7
A♯m7
D♯7
Am7
D7
A♯m7
D♯7
G♯Maj7
C♯m7
F♯7
Gm7
C7
G♯m7
C♯7
F♯Maj7
Gm7
C7
Fm7
D♯m7
G♯7
C♯Maj7
F♯7

Chord Diagrams — Moment's Notice in G# (Guitar)

Moment's Notice in G#

Coltrane's harmonically demanding composition from Blue Train, featuring rapid ii-V progressions in multiple keys that test every improviser's facility.

Moment's Notice in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F (descending half step), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C (descending half step), C to F (ascending perfect fourth), F to B (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 44 bars · Form: AABA

Chords: Am7, D7, A♯m7, D♯7, G♯Maj7, C♯m7, F♯7, Gm7, C7, G♯m7, C♯7, F♯Maj7, Fm7, D♯m7, G♯7, C♯Maj7, Cm7, F7, BMaj7.