My Romance in A

Richard Rodgers(1935)balladBallad
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
AMaj7
Bm7
C♯m7
Cdim7
Bm7
E7
AMaj7
C♯7
F♯m
F♯mMaj7
F♯m7
F♯7
Bm7
E7
AMaj7
A7
AMaj7
Bm7
C♯m7
Cdim7
Bm7
E7
AMaj7
C♯7
F♯m
F♯mMaj7
F♯m7
F♯7
Bm7
E7
AMaj7
A7
DMaj7
G7
AMaj7
A7
DMaj7
G7
AMaj7
D♯m7♭5
G♯7♭9
C♯m7
G7
F♯m7
F7
Bm7
E7
AMaj7
Bm7
C♯m7
Cdim7
Bm7
E7
AMaj7
C♯7
F♯m
F♯mMaj7
F♯m7
F♯7
Bm7
E7
AMaj7
A7

Chord Diagrams — My Romance in A (Guitar)

My Romance in A

A Rodgers and Hart standard with a sweeping melodic arc and chromatically rich harmonic movement, a favorite of Bill Evans.

My Romance in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to C# (ascending whole step), C# to C (descending half step), C to E (ascending major third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison), F# to F# (ascending unison), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to F (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: AMaj7, Bm7, C♯m7, Cdim7, E7, C♯7, F♯m, F♯mMaj7, F♯m7, F♯7, A7, DMaj7, G7, D♯m7♭5, G♯7♭9, F7.