My Romance in A#

Richard Rodgers(1935)balladBallad
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯Maj7
Cm7
Dm7
C♯dim7
Cm7
F7
A♯Maj7
D7
Gm
GmMaj7
Gm7
G7
Cm7
F7
A♯Maj7
A♯7
A♯Maj7
Cm7
Dm7
C♯dim7
Cm7
F7
A♯Maj7
D7
Gm
GmMaj7
Gm7
G7
Cm7
F7
A♯Maj7
A♯7
D♯Maj7
G♯7
A♯Maj7
A♯7
D♯Maj7
G♯7
A♯Maj7
Em7♭5
A7♭9
Dm7
G♯7
Gm7
F♯7
Cm7
F7
A♯Maj7
Cm7
Dm7
C♯dim7
Cm7
F7
A♯Maj7
D7
Gm
GmMaj7
Gm7
G7
Cm7
F7
A♯Maj7
A♯7

Chord Diagrams — My Romance in A# (Guitar)

My Romance in A#

A Rodgers and Hart standard with a sweeping melodic arc and chromatically rich harmonic movement, a favorite of Bill Evans.

My Romance in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to D (ascending whole step), D to C# (descending half step), C# to F (ascending major third), F to D (descending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to A (ascending perfect fourth), A to F# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: A♯Maj7, Cm7, Dm7, C♯dim7, F7, D7, Gm, GmMaj7, Gm7, G7, A♯7, D♯Maj7, G♯7, Em7♭5, A7♭9, F♯7.