My Romance in G#

Richard Rodgers(1935)balladBallad
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
A♯m7
Cm7
Bdim7
A♯m7
D♯7
G♯Maj7
C7
Fm
FmMaj7
Fm7
F7
A♯m7
D♯7
G♯Maj7
G♯7
G♯Maj7
A♯m7
Cm7
Bdim7
A♯m7
D♯7
G♯Maj7
C7
Fm
FmMaj7
Fm7
F7
A♯m7
D♯7
G♯Maj7
G♯7
C♯Maj7
F♯7
G♯Maj7
G♯7
C♯Maj7
F♯7
G♯Maj7
Dm7♭5
G7♭9
Cm7
F♯7
Fm7
E7
A♯m7
D♯7
G♯Maj7
A♯m7
Cm7
Bdim7
A♯m7
D♯7
G♯Maj7
C7
Fm
FmMaj7
Fm7
F7
A♯m7
D♯7
G♯Maj7
G♯7

Chord Diagrams — My Romance in G# (Guitar)

My Romance in G#

A Rodgers and Hart standard with a sweeping melodic arc and chromatically rich harmonic movement, a favorite of Bill Evans.

My Romance in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to C (ascending whole step), C to B (descending half step), B to D# (ascending major third), D# to C (descending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to E (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, A♯m7, Cm7, Bdim7, D♯7, C7, Fm, FmMaj7, Fm7, F7, G♯7, C♯Maj7, F♯7, Dm7♭5, G7♭9, E7.