Naima in A

John Coltrane(1960)balladBallad
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Em7/B♭
Em7/B♭
A♯Maj7/B♭
AMaj7/B♭
Em7/B♭
Em7/B♭
A♯Maj7/B♭
AMaj7/B♭
CMaj7
CMaj7♯11
CMaj7
BMaj7♯11
CMaj7
CMaj7♯11
CMaj7
BMaj7♯11
Em7/B♭
Em7/B♭
A♯Maj7/B♭
AMaj7/B♭

Chord Diagrams — Naima in A (Guitar)

Em7/B♭
B♭ - E - G - B - D
A♯Maj7/B♭
B♭ - A♯ - D - F - A
AMaj7/B♭
B♭ - A - C♯ - E - G♯
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
CMaj7♯11
BMaj7♯11

Naima in A

Coltrane's exquisite ballad dedicated to his first wife, built on a pedal bass with shimmering upper-structure triads that create an otherworldly harmonic palette.

Naima in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A# (ascending tritone), A# to A (descending half step), A to C (ascending minor third), C to C (ascending unison), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: AABA

Chords: Em7/B♭, A♯Maj7/B♭, AMaj7/B♭, CMaj7, CMaj7♯11, BMaj7♯11.