Naima in A#

John Coltrane(1960)balladBallad
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Fm7/B♭
Fm7/B♭
BMaj7/B♭
A♯Maj7/B♭
Fm7/B♭
Fm7/B♭
BMaj7/B♭
A♯Maj7/B♭
C♯Maj7
C♯Maj7♯11
C♯Maj7
CMaj7♯11
C♯Maj7
C♯Maj7♯11
C♯Maj7
CMaj7♯11
Fm7/B♭
Fm7/B♭
BMaj7/B♭
A♯Maj7/B♭

Chord Diagrams — Naima in A# (Guitar)

Fm7/B♭
B♭ - F - A♭ - C - E♭
BMaj7/B♭
B♭ - B - D♯ - F♯ - A♯
A♯Maj7/B♭
B♭ - A♯ - D - F - A
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C♯Maj7♯11
CMaj7♯11

Naima in A#

Coltrane's exquisite ballad dedicated to his first wife, built on a pedal bass with shimmering upper-structure triads that create an otherworldly harmonic palette.

Naima in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to B (ascending tritone), B to A# (descending half step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: AABA

Chords: Fm7/B♭, BMaj7/B♭, A♯Maj7/B♭, C♯Maj7, C♯Maj7♯11, CMaj7♯11.