Nefertiti in G#

Wayne Shorter(1968)swingMedium
G♯
Instrument
GuitarUkuleleBassPiano
A
B
F♯Maj7♯11
BMaj7♯11
Fm7♭5
A♯7♭9
AMaj7
AMaj7♯11
G♯m7♭5
C♯7♯11
DMaj7
CMaj7
F♯7♯11
DMaj7
D7sus4
C♯7♯11
G♯mMaj7
C♯7♯11

Chord Diagrams — Nefertiti in G# (Guitar)

Nefertiti in G#

Wayne Shorter's through-composed masterpiece from Miles Davis's second quintet, where the melody repeats while the rhythm section improvises freely.

Nefertiti in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to A (descending half step), A to A (ascending unison), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C (descending whole step), C to F# (ascending tritone), F# to D (descending major third), D to G# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 16 bars · Form: AB

Chords: F♯Maj7♯11, BMaj7♯11, Fm7♭5, A♯7♭9, AMaj7, AMaj7♯11, G♯m7♭5, C♯7♯11, DMaj7, CMaj7, F♯7♯11, D7sus4, G♯mMaj7.