Ornithology in G#

Charlie Parker, Bennie Harris(1946)swingMedium Up
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
G♯Maj7
G♯m7
C♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
F♯m7
B7
G♯Maj7
G♯Maj7
G♯m7
C♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
F♯m7
B7
E7
A♯m7♭5
D♯7
G♯m7
G♯m7
Cm7
F7
A♯m7
D♯7
G♯Maj7
G♯Maj7
G♯m7
C♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
F♯m7
B7

Chord Diagrams — Ornithology in G# (Guitar)

Ornithology in G#

Charlie Parker's bebop contrafact on 'How High the Moon' changes, one of the essential Bird compositions for any jazz musician.

Ornithology in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, G♯m7, C♯7, F♯Maj7, F♯m7, B7, E7, A♯m7♭5, D♯7, Cm7, F7, A♯m7.