'Round Midnight in D

Thelonious Monk(1944)balladBallad
D
Instrument
GuitarUkuleleBassPiano
A
A
B
A
F♯m
F♯m/D
F♯m/D♭
D♯dim7
Bm7
E7
D♯m7♭5
Dm7
G7
C♯m7
F♯7
Bm7
E7
F♯m
D♯m7♭5
G♯7♭9
F♯m
F♯m/D
F♯m/D♭
D♯dim7
Bm7
E7
D♯m7♭5
Dm7
G7
C♯m7
F♯7
Bm7
E7
F♯m
D♯m7♭5
G♯7♭9
D♯m7♭5
D7
C♯7
D♯m7♭5
D7
C♯7
Bm7
G♯m7♭5
C♯7
F♯m
F♯m/D
F♯m/D♭
D♯dim7
Bm7
E7
D♯m7♭5
Dm7
G7
C♯m7
F♯7
Bm7
E7
F♯m
D♯m7♭5
G♯7♭9

Chord Diagrams — 'Round Midnight in D (Guitar)

'Round Midnight in D

Monk's iconic ballad masterpiece with dense chromatic harmony and descending bass lines, one of the most recorded jazz compositions of all time.

'Round Midnight in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to D# (descending minor third), D# to B (descending major third), B to E (ascending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to D (ascending tritone), D to C# (descending half step), C# to G# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: AABA

Chords: F♯m, F♯m/D, F♯m/D♭, D♯dim7, Bm7, E7, D♯m7♭5, Dm7, G7, C♯m7, F♯7, G♯7♭9, D7, C♯7, G♯m7♭5.