'Round Midnight in E

Thelonious Monk(1944)balladBallad
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯m
G♯m/D
G♯m/D♭
Fdim7
C♯m7
F♯7
Fm7♭5
Em7
A7
D♯m7
G♯7
C♯m7
F♯7
G♯m
Fm7♭5
A♯7♭9
G♯m
G♯m/D
G♯m/D♭
Fdim7
C♯m7
F♯7
Fm7♭5
Em7
A7
D♯m7
G♯7
C♯m7
F♯7
G♯m
Fm7♭5
A♯7♭9
Fm7♭5
E7
D♯7
Fm7♭5
E7
D♯7
C♯m7
A♯m7♭5
D♯7
G♯m
G♯m/D
G♯m/D♭
Fdim7
C♯m7
F♯7
Fm7♭5
Em7
A7
D♯m7
G♯7
C♯m7
F♯7
G♯m
Fm7♭5
A♯7♭9

Chord Diagrams — 'Round Midnight in E (Guitar)

'Round Midnight in E

Monk's iconic ballad masterpiece with dense chromatic harmony and descending bass lines, one of the most recorded jazz compositions of all time.

'Round Midnight in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to F (descending minor third), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to E (ascending tritone), E to D# (descending half step), D# to A# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: AABA

Chords: G♯m, G♯m/D, G♯m/D♭, Fdim7, C♯m7, F♯7, Fm7♭5, Em7, A7, D♯m7, G♯7, A♯7♭9, E7, D♯7, A♯m7♭5.