Ruby My Dear in D

Thelonious Monk(1947)balladBallad
D
Instrument
GuitarUkuleleBassPiano
A
A
B
A
DMaj7
CMaj7
Bm7
A♯Maj7
Am7
D7
Gm7
C7
F♯m7
B7
Fm7
A♯7
Em7
A7
DMaj7
CMaj7
Bm7
A♯Maj7
Am7
D7
Gm7
C7
F♯m7
B7
Fm7
A♯7
Em7
A7
Dm7
G7
CMaj7
Fm7
A♯7
D♯Maj7
Em7♭5
A7♭9
Em7
A7
DMaj7
CMaj7
Bm7
A♯Maj7
Am7
D7
Gm7
C7
F♯m7
B7
Fm7
A♯7
Em7
A7

Chord Diagrams — Ruby My Dear in D (Guitar)

Ruby My Dear in D

One of Monk's most beautiful ballads with cascading chromatic chord pairs, showcasing his tender side beneath the angular exterior.

Ruby My Dear in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D# (descending major third), D# to E (ascending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: DMaj7, CMaj7, Bm7, A♯Maj7, Am7, D7, Gm7, C7, F♯m7, B7, Fm7, A♯7, Em7, A7, Dm7, G7, D♯Maj7, Em7♭5, A7♭9.