Ruby My Dear in E

Thelonious Monk(1947)balladBallad
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
EMaj7
DMaj7
C♯m7
CMaj7
Bm7
E7
Am7
D7
G♯m7
C♯7
Gm7
C7
F♯m7
B7
EMaj7
DMaj7
C♯m7
CMaj7
Bm7
E7
Am7
D7
G♯m7
C♯7
Gm7
C7
F♯m7
B7
Em7
A7
DMaj7
Gm7
C7
FMaj7
F♯m7♭5
B7♭9
F♯m7
B7
EMaj7
DMaj7
C♯m7
CMaj7
Bm7
E7
Am7
D7
G♯m7
C♯7
Gm7
C7
F♯m7
B7

Chord Diagrams — Ruby My Dear in E (Guitar)

Ruby My Dear in E

One of Monk's most beautiful ballads with cascading chromatic chord pairs, showcasing his tender side beneath the angular exterior.

Ruby My Dear in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to F# (ascending half step), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: EMaj7, DMaj7, C♯m7, CMaj7, Bm7, E7, Am7, D7, G♯m7, C♯7, Gm7, C7, F♯m7, B7, Em7, A7, FMaj7, F♯m7♭5, B7♭9.